This is all a windup to this: “Jurassic World Rebirth” tries very hard to evoke that same moment of awe. But in the story, the ubiquity of the dinosaurs has left humanity feeling bored and annoyed, cutting the feet out from under those moments. And it’s starting to feel like the movies are getting bored, too.

The best part of Rebirth is its complete overuse of John Williams's transformative theme. Whenever possible, the iconic orchestration can be heard — a treatment that would prove insufferable with any other score, but, in this case, provides the audience with some reprieve to whatever generic nonsense happening on screen.